by Devra King

We are told that although a work of fiction, this unforgettable portrait of individuals traumatized by death and unhinged by grief has its basis in history, attributing a rather sinister quality to the unfolding events.

Set in 1925, the story revolves around twins, Michael and Emily, who seem content in their own company and often happiest alone with their own thoughts and childhood fantasies, although conversely, their rather remote yet loving mother naively attributes them with the wisdom of young adults.

The twins want for nothing but perhaps a little excitement, which they find in a somewhat odd and disturbing way. Whilst looking for ways to entertain themselves during the long holidays and perhaps in need of  more conventional childhood pastimes, they pretend to be able to contact a deceased  relative by means of a phenomenon they call Spirit Knocking.

As they “play” their deceptive game to impressionable neighbourhood children and subsequently through séances with eccentric and gullible adults, they inevitably become drawn into the dramas and mysteries surrounding the dearly departed.

The ghostly sessions become more serious and disquieting, leaving Emily with the uncomfortable impression that she and her sly brother have been opening doors that should have perhaps remained permanently closed.

So begins a seemingly unstoppable journey, told through a subtle and moving portrayal of people in the grip of powerful emotions that overwhelm rational thinking.

It’s a story that although slow to engage, is delightfully told, with intricate family dramas and secrets creating a compelling story which is less about  the threat of ghosts and more about the danger of secrets.